I could, in the face of Atwood-hysteria, remain quiet, but my initial discomfort reading THT for the first time, and now rereading and considering some problematic aspects (thanks @blackgirlreading) has led me to the opposite. Briefly, the fictional dystopia Atwood creates is a violently patriarchal Christian right who have taken power in the US. The tale follows the unnamed Offred (belonging to Fred) as a handmaid, effectually a slave, forcibly removed from her own family and providing the womb for the powerful elite in a world where fertility has become rare. This is dystopian fiction, an imagined future. Perhaps a moot point here but what has irked me (for many years) about Atwood is her inability to accept that she writes science-fiction. Early in her writing career she irked a legion of fans by stating the difference between science fiction, which “has monsters and spaceships” and speculative fiction which “could really happen”. For any fan of the genre her snooty disrega...
NOTES OF A NATIVE SON by James Baldwin "About my interests: I don’t think I have any, unless the morbid desire to own a sixteen-millimeter camera and make experimental movies can be so classified. Otherwise, I love to eat and drink … and I love to argue with people who do not disagree with me too profoundly, and I love to laugh. I do not like bohemia, or bohemians, I do not like people whose principal aim is pleasure, and I do not like people who are earnest about anything … I love America more than any other country in the world, and, exactly for this reason, I insist on the right to criticize her perpetually. I think all theories are suspect, that the finest principles may have to be modified, or even be pulverized by the demands of life, and that one must find, therefore, one’s own moral center and move through the world hoping that this center will guide one alright. I consider that I have many responsibilities, but none greater than this: to last, as Hemingway says, and ...